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Speaking of delightful things, let's talk mahogany. You'll have to forgive me for getting a little ecstatic and poetic here, but it really is special that such an affordable instrument provides such deeply satisfying sonic delights! You can feel the guitar vibrate in your ribs, your gut, and your heart, and it makes for a divinely inspiring, out-of-this-world playing experience. Solid wood resonates and breathes almost as if it is alive in your hands, giving you a tactile, physical connection to the instrument.
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There is simply nothing like a Martin acoustic guitar made of high-quality solid wood. The biggest part of the D-15M's appeal lies in its all-solid mahogany body. Let's take a deeper dive and see what makes the D-15M so alluring. It still delivers the sort of tone that will leave you glued to your favorite pickin' chair or couch for hours and hours at an unbelievable value. Martin's all-mahogany instruments from this era were favored by working-class players because of their superior playability and craftsmanship, affordable price point, and warm, full-bodied tone-quite a historical precedent! Nevertheless, the modern D-15M lives up to its vintage pedigree.
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That's why we're so proud to present the Martin D-15M, one of the most timeless Martin guitars ever to grace our shelves.īased on the World War II-era 15 series models that debuted in late 1939, the D-15M brings vintage-inspired Martin tone into the modern era with immense grace and style.
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But we also have equally deep, abiding affection for elegant, simple instruments that don't need abalone inlays to get the job done with aplomb. Here at Wildwood Guitars, we love ornate, flashy guitars. Why fix something so decidedly unbroken? After all, the Martin dreadnought has long been a staple at open mics, bluegrass jams, rock shows, and recording studios for a reason: it has a timeless sound that seems to resonate with the heartstrings of any musician who picks one up. The D-1 quickly morphed into the dreadnought as we now know it, and apart from a few small tweaks to the bracing and the addition of a 14-fret neck, it has remained mostly unchanged ever since. Martin realized that this whole dreadnought thing was going to take off, he started stamping his own name on the headstock of a guitar called the D-1 in 1931.
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Dreadnought), the original examples were commissioned by a publishing house in Boston called the Oliver Ditson Company, and they were marketed as Ditsons with non-Martin serial numbers in New York and Boston only. But until Christian Fredericks Martin built the first large-bodied acoustic with a spruce top and mahogany back and sides in 1916, there was no such thing as a dreadnought! Named for the largest, most fearsome battleship in the world at the time (the H.M.S. Can you imagine a world without dreadnought acoustic guitars? It seems like an impossible exercise given the way the Martin dreadnought has become interwoven with the musicological fabric of America.